Step into the shadowy world of postwar British suburbia with Home at Seven (also known as Murder on Monday), a gripping 1952 psychological mystery noir, now meticulously colorized for a new generation of film lovers. Directed by and starring the legendary Ralph Richardson, this film delivers a taut, suspenseful tale of memory, guilt, and the search for truth. The colorized HD restoration brings a new dimension to its atmospheric storytelling, making it a must-download for fans of classic thrillers and British cinema alike.
Home at Seven plunges viewers into the unsettling predicament of David Preston, a mild-mannered City of London banker. Preston returns home to his quiet Kent suburb at 7pm on a Tuesday, only to discover that he’s been missing for a full 24 hours. He has no memory of the lost day, and his wife Janet is frantic with worry. As Preston attempts to piece together his whereabouts, the situation quickly escalates: he learns he was seen at the local social club (where he serves as treasurer) on Monday evening, apparently taking £515 from the safe. The witness, Robinson, is soon found murdered.
Under mounting suspicion, Preston struggles to recall his actions. He lies to the police about his alibi, claiming to have stayed with friends, only to realize those friends were out of town. Haunted by flashes of memory, he confides in his doctor, Dr. Sparling, and his solicitor, but the evidence against him grows. Preston’s wife reveals his financial troubles, stemming from his father’s embezzlement, which he has been secretly trying to repay.
As the investigation unfolds, the police and Preston’s inner circle try to unravel the mystery of his missing day. Was Preston truly responsible for theft and murder, or is he an innocent man ensnared by circumstance and his own fractured mind? The film’s resolution hinges on a crucial revelation from a local barmaid, who describes Preston’s odd behavior triggered by a wartime memory, offering a psychological twist to the whodunit.
Home at Seven features a distinguished ensemble of British talent:
Ralph Richardson as David Preston
Margaret Leighton as Janet Preston
Jack Hawkins as Dr. Sparling
Campbell Singer as Inspector Hemingway
Michael Shepley as Major Watson
Margaret Withers as Mrs. Watson
Meriel Forbes as Peggy Dobson
Frederick Piper as Petherbridge
Gerald Case as Sergeant Evans
Diana Beaumont as Ellen
Archie Duncan as Station Sergeant
Victor Hagan as Police Photographer
Robert Moore as Fingerprint Man
Johnnie Schofield as Joe Dobson, landlord of the Feathers
Home at Seven is a psychological mystery noir with elements of crime and drama. Its narrative weaves together suspense, psychological tension, and classic British restraint, creating an atmosphere both claustrophobic and compelling. The film’s noir undertones are heightened by its exploration of memory, identity, and the thin line between guilt and innocence.
Released in 1952 and adapted from R.C. Sherriff’s acclaimed stage play, Home at Seven stands as a unique entry in British film history. It was Ralph Richardson’s only directorial effort, shot at Shepperton Studios with sets designed by Vincent Korda and Frederick Pusey. The film captures the anxieties of postwar Britain, where the trauma of conflict lingers beneath the surface of everyday life, and the boundaries of respectability are easily blurred.
The film’s psychological depth and suburban setting distinguish it from the American noir tradition, offering a distinctly British take on crime and suspense. The colorized restoration enhances its period detail, from the drab postwar interiors to the subtle expressions of its cast, making the era’s tensions and textures more vivid than ever.
The colorization of Home at Seven was achieved through advanced digital restoration techniques. Each frame was carefully analyzed to assign authentic period-appropriate colors to costumes, sets, and landscapes, bringing new life to the original black-and-white cinematography. The process preserves the film’s moody atmosphere while making its visual storytelling more accessible and immersive for contemporary audiences.
Director: Ralph Richardson
Screenplay: Anatole de Grunwald, based on the play by R.C. Sherriff
Cinematography: [Original details preserved]
Edited by: [Original details preserved]
Production Company: [Original details preserved]
Distributed by: [Original details preserved]
Runtime: 85 minutes
Download Format: MP4
Resolution: HD (1080p)
Compatibility: Optimized for smartphones, tablets, computers, and smart TVs
Home at Seven received praise for its intriguing premise and strong performances, particularly from Richardson, Leighton, and Hawkins. Critics noted the film’s stage origins and its subdued, methodical pacing, but highlighted its psychological complexity and the ambiguity surrounding Preston’s guilt or innocence. While some found the resolution underwhelming, the journey remains compelling, with the film’s atmosphere and character work standing out as highlights.
Q: Is “Home at Seven” the same as “Murder on Monday”?
A: Yes, the film is also known by the alternate title “Murder on Monday.”
Q: What makes the colorized version special?
A: The colorized HD restoration enhances the film’s period detail and emotional impact, offering a fresh perspective on this classic British mystery.
Q: Who are the leading stars of the film?
A: Ralph Richardson (who also directs) and Margaret Leighton lead a distinguished British cast.
Q: What is the core mystery in “Home at Seven”?
A: The story centers on a bank clerk who loses 24 hours of memory and becomes the prime suspect in a robbery and murder.
Q: Is this film suitable for fans of classic noir?
A: Absolutely. Its psychological tension, noir atmosphere, and British sensibility make it a standout in the genre.
Experience the suspense and psychological intrigue of “Home at Seven” (1952) in stunning color—download your copy today!