Released in 1934, Now and Forever is a romantic drama that captures the complexity of familial relationships, love, and redemption. Directed by Henry Hathaway, this film stars two of the biggest names in classic Hollywood—Gary Cooper and Carole Lombard—alongside the young and talented Shirley Temple. Now and Forever was originally shot in black and white, but like many films from this era, it was later colorized to provide a fresh visual experience for modern audiences.
In this review, we will explore the impact of colorization on Now and Forever (1934), the significance of this film in its original and colorized formats, and its place in the broader context of early 20th-century cinema. By examining the performances, direction, themes, and the ongoing debate over colorization, we aim to provide a comprehensive analysis of this timeless classic.
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Henry Hathaway, known for his versatility as a director, brings a distinctive touch to Now and Forever. Hathaway was a prolific director who worked across a variety of genres, including action, drama, and Westerns. In Now and Forever, Hathaway’s direction emphasizes the emotional undercurrents of the story, allowing the complex dynamics between the characters to shine through.
His vision for the film was to balance heartwarming moments with the moral dilemmas faced by the characters, particularly Cooper’s character, Jerry Day. Hathaway’s ability to navigate between sentimentality and moral tension is one of the key factors that make Now and Forever stand out as a memorable drama from the 1930s.
The performances in Now and Forever are what truly elevate the film to classic status. Gary Cooper, one of the most iconic actors of his time, plays Jerry Day, a charming but morally conflicted conman who is forced to reevaluate his life when he reconnects with his young daughter, played by Shirley Temple.
Cooper’s portrayal of Jerry is nuanced, presenting a man torn between his love for his daughter and his reckless, dishonest lifestyle. His performance captures both the charm and the vulnerability of his character, making Jerry a deeply relatable figure despite his flaws.
Carole Lombard, known for her roles in both dramatic and comedic films, plays Toni, Jerry’s partner. Lombard’s performance is equally impressive, bringing depth and warmth to her character. Her on-screen chemistry with Cooper adds an additional layer of complexity to the film, particularly in scenes where their relationship is tested by Jerry’s evolving priorities.
Finally, Shirley Temple, the darling of 1930s cinema, delivers one of her most heartwarming performances as Penny Day, Jerry’s daughter. Temple’s natural charm and innocence provide the emotional core of the film, as her character becomes the catalyst for Jerry’s journey of redemption.
Now and Forever falls into the romantic drama genre, but it also incorporates elements of adventure and moral reckoning. The film’s central focus is on the relationships between its three main characters and the internal conflicts they face. In many ways, it exemplifies the kind of emotionally driven narratives that were popular in 1930s Hollywood, but it also offers a more complex character study than typical films of the period.
The visual style of the original black-and-white version enhances the film’s dramatic atmosphere, with Hathaway’s use of shadow and light adding depth to key emotional scenes. The later colorized version brings a new dimension to these visuals, offering a different perspective on the film’s settings and costumes.
Now and Forever follows the story of Jerry Day (Gary Cooper), a smooth-talking conman who has spent most of his life living on the edge, making money through shady deals and deception. His carefree lifestyle is interrupted when he learns that he has a young daughter, Penny (Shirley Temple), from a previous relationship. At first, Jerry sees Penny as an inconvenience, but when he meets her, he begins to feel a genuine connection.
Despite his best intentions to go straight for the sake of his daughter, Jerry is drawn back into his old ways. He concocts a plan to steal a valuable necklace but is faced with the consequences of his actions when he realizes that his dishonesty could cost him the trust and love of Penny and his partner, Toni (Carole Lombard). The film culminates in Jerry’s ultimate decision to change his ways and prioritize his relationship with his daughter over his criminal life.
The narrative arc of Jerry’s transformation is central to the film, and his relationships with Penny and Toni serve as the driving force behind his journey. Each character represents a different aspect of Jerry’s life: Penny is the embodiment of innocence and hope, while Toni symbolizes his connection to his past and his struggle to leave it behind.
Colorization, the technique used to add color to black-and-white films, is a complex process that involves both artistic and technical elements. For Now and Forever (1934), the colorization process involved carefully selecting appropriate colors that matched the historical period and mood of the film. In early attempts, colorization was done manually by hand-painting each frame, but with advancements in digital technology, the process has become more streamlined and precise.
The goal of colorization is to enhance the viewing experience by adding a new dimension to the visual storytelling. However, as with any alteration to a classic film, it raises questions about artistic integrity and whether or not colorization enhances or detracts from the original work.
The practice of colorizing films has evolved significantly since the 1980s, when it first gained popularity. Early colorization efforts were often criticized for their artificial appearance, with colors that sometimes looked unrealistic or clashed with the original tone of the film. However, with the advent of digital technologies, colorization has become much more sophisticated, allowing for a more seamless integration of color into black-and-white films.
Color in cinema predates the use of sound, with filmmakers experimenting with various techniques to bring color to the screen as early as the late 1800s. Some of the earliest methods included hand-painting film frames or using stencils to add color to specific sections of each frame. While these techniques were effective for short films and sequences, they were labor-intensive and limited in scope.
The introduction of Technicolor in the 1930s marked a turning point for color in film. Technicolor, which involved the use of three separate film strips to capture red, green, and blue light, allowed filmmakers to produce vibrant and realistic colors. This process was used in a number of films in the 1930s and 1940s, helping to popularize color as a standard cinematic tool.
Although Now and Forever was originally filmed in black and white, the influence of Technicolor on the film industry during the 1930s cannot be overstated. The popularity of color films during this era likely contributed to the decision to colorize Now and Forever decades later, as audiences became more accustomed to seeing films in color.
The decision to colorize Now and Forever (1934) was likely driven by a desire to reintroduce the film to contemporary audiences who are more accustomed to color cinema. By adding color, the filmmakers aimed to make the film more visually appealing and accessible, particularly for younger viewers who may not have an appreciation for black-and-white films.
The colorized version of Now and Forever offers a new way to experience the film, particularly in terms of its visual narrative. The added color brings out details in the costumes and settings that were not as prominent in the black-and-white version, such as the vibrant hues of Penny’s clothing and the lush scenery of the film’s outdoor scenes.
However, the colorization also alters the tone of the film to some extent. The original black-and-white cinematography, with its use of shadow and contrast, contributed to the film’s dramatic tension. In the colorized version, some of this tension is diminished, as the brighter colors can make certain scenes feel less intense or moody.
The debate over colorization centers around the question of whether it enhances or diminishes a film’s artistic integrity. Purists argue that black-and-white films were intentionally shot in that format, and altering them through colorization compromises the filmmaker’s original vision. They also point out that colorization can sometimes lead to inaccuracies, particularly when it comes to historical details or the intended mood of a scene.
On the other hand, supporters of colorization argue that it can make classic films more accessible to modern audiences. By adding color, filmmakers can breathe new life into old films, making them more appealing to viewers who might not be drawn to black-and-white cinema. In the case of Now and Forever, the colorized version may attract new fans who are unfamiliar with the original.
Whether the colorization of Now and Forever enhances or distracts from the viewing experience is largely subjective. For some, the added color brings a richness to the film that enhances its emotional depth and visual appeal. For others, the colorized version may feel unnecessary or even distracting, particularly if they are accustomed to the original black-and-white version.
Ultimately, the success of the colorization depends on how well it integrates with the film’s overall aesthetic. In the case of Now and Forever, the colorization is generally well-executed, but it may not offer a significant improvement over the original version for viewers who appreciate the subtleties of black-and-white cinematography.
Now and Forever may not be as well-known as some of the other classic films from the 1930s, but its impact on the genre of romantic drama is undeniable. The film’s exploration of redemption, love, and family dynamics set the stage for future films that would tackle similar themes. Its use of strong, complex characters and emotionally driven narratives would influence later dramas, particularly those that focused on morally ambiguous protagonists.
The performances of Gary Cooper, Carole Lombard, and Shirley Temple in Now and Forever helped solidify their status as Hollywood icons. Cooper’s portrayal of a flawed but redeemable hero would become a staple of his career, while Lombard’s ability to navigate both comedy and drama would define her as one of the most versatile actresses of her time. Temple’s performance in Now and Forever added to her growing reputation as one of the most beloved child stars in film history.
Henry Hathaway’s career extended far beyond Now and Forever, and his contributions to cinema include a wide range of films across different genres. Hathaway would go on to direct a number of classic Westerns, including True Grit (1969) starring John Wayne, which earned Wayne an Academy Award for Best Actor.
Hathaway’s ability to direct both intimate dramas like Now and Forever and large-scale action films demonstrates his versatility as a filmmaker. His work has had a lasting influence on both the drama and Western genres, and his contributions to cinema continue to be recognized today.
At its core, Now and Forever is a film about redemption. Jerry Day’s journey from conman to caring father is a classic tale of moral awakening, and the film explores the tension between darkness and light, both literally and metaphorically. Jerry’s struggle to leave behind his past is mirrored in the film’s visual storytelling, with moments of darkness giving way to hope and light.
The theme of redemption is further reinforced by Penny’s role in the story. As the embodiment of innocence and goodness, Penny represents the future that Jerry could have if he chooses the right path. His relationship with her is the key to his redemption, and their bond serves as the emotional anchor of the film.
When Now and Forever was released in 1934, it received positive reviews for its performances and emotional depth. Critics praised Gary Cooper’s portrayal of Jerry Day, noting his ability to balance charm and vulnerability. Shirley Temple’s performance was also lauded, with many praising her natural talent and undeniable screen presence.
However, like many films that were later colorized, the colorized version of Now and Forever sparked some controversy. While some viewers appreciated the added visual appeal, others felt that the colorization detracted from the film’s original aesthetic and mood. This debate continues to this day, with fans of the film split over which version offers the best viewing experience.
For those interested in watching Now and Forever, the film is available on several streaming platforms. Turner Classic Movies (TCM) often airs the film, and it can also be found on Amazon Prime Video. Both the original black-and-white version and the colorized version are available on DVD and Blu-ray, allowing viewers to choose their preferred format.
Q: Who directed Now and Forever (1934)?
A: Now and Forever was directed by Henry Hathaway, a versatile director known for his work in both drama and Westerns.
Q: What themes are explored in Now and Forever?
A: The film explores themes of redemption, morality, and familial love, with a focus on the internal struggle of the protagonist, Jerry Day.
Q: Is the colorized version of Now and Forever available?
A: Yes, the colorized version of Now and Forever is available for viewing alongside the original black-and-white version. Both can be found on various streaming platforms and physical media formats.
Q: What is the significance of the colorized version?
A: The colorized version offers a new perspective on the film’s visuals, adding vibrancy and detail to the costumes and settings. However, it also raises questions about whether it enhances or detracts from the original film.
Now and Forever (1934) is a classic film that continues to resonate with audiences thanks to its emotional depth, strong performances, and timeless themes. Whether viewed in its original black-and-white format or the later colorized version, the film offers a compelling exploration of redemption, family, and moral choices. Henry Hathaway’s direction, combined with standout performances from Gary Cooper, Carole Lombard, and Shirley Temple, ensures that Now and Forever remains a beloved entry in the annals of classic cinema.
The debate over film colorization is likely to continue, but there is no denying that Now and Forever stands as a testament to the enduring power of storytelling, regardless of the format in which it is viewed.